The blueprint trap: Why copy-paste strategies fail
Your career is not a template.
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Let’s dive into today’s topic:
The blueprint trap: Why copy-paste strategies fail
There is no one-size-fits-all in music marketing.
Why it matters
There is a dangerous misalignment between the marketing skills artists are told to master and the actual value those activities generate for their specific careers.
The explanation is logical: Artists are creators, not Chief Marketing Officers. While the best marketing often feels organic and effortless, it is unrealistic to expect artists to be experienced strategists by default.
This is where marketing freelancers (like me) and newsletters (like mine) can inadvertently set a trap. We share advice, but we often fail to mention that every recommendation is context-dependent.
I estimate that each piece of advice I give is truly applicable to only about 5% of my readers at that specific moment in their journey.
If Beyoncé drops an album without a rollout, it is a flex, while if an emerging artist does the same, it is just silence. The key difference is the career context.
We tend to overlook a fundamental truth: every artist is a unique ecosystem. Strategies cannot be copy-pasted because they rely on variables like budget, personality, local culture, and technical skill. When artists force generic templates onto their specific careers, they waste energy on tactics that were never designed for them.
How it works
To break free from the blueprint trap, we must first distinguish strategy and tactics.
Strategy is the map. It is the high-level plan based on where you are and where you want to go (e.g. “Build a high-value community of superfans through social media”).
Tactics are the vehicles. They are the specific actions you take to move across the map (e.g. “Post three TikToks a day” or “Run Instagram ads”).
Most guru advice fails because it only shares tactics, while a tactic is only effective if it fits within your specific resource triangle:
Time: Do you have 40 hours a week to edit video, or 4 hours a week between shifts?
Money: Do you have an investment budget, or are you bootstrapping?
Skill: Are you a native video editor and social butterfly, or are you a studio hermit?
A tactic that works for a wealthy, extroverted pop artist (high money, high social skill) will be disastrous for a bootstrapping, introverted singer-songwriter. We must recognise that what works for one might fail for another.
Yes, but..
Since I’m writing a weekly newsletter advising artists, I am partly to blame. I can become very enthusiastic about a new shiny tool or tactic that has worked for me in a project.
There are universal principles that apply to every artist, such as the need to build a brand or the importance of community.
However, it is the execution tactics that must be tailored. It can be frustrating to hear that there is no easy mode, but accepting this reality is the first step towards sustainable growth.
You must act as your own filter, treating advice as a raw ingredient rather than a finished meal.
Take action now
Get yourself a relaxed Christmas by decluttering your mental space.
Review your inputs: Unfollow accounts that promise hacks, secrets, or viral loops. Be wary of anyone who labels a new tool a “killer” of an earlier one. (I’m looking at you, AI gurus :))
Apply the resource test: When you see a new piece of marketing advice, ask yourself: “Does this person have the same resources (time, money, skill) as I do?”
If the answer is no, you can just discard the tactic but look at the principle behind it instead.
Merry Christmas! 🎄
Your thoughts
Further reading
Why artists shouldn’t skip steps (The Fanbase Builder)
When artists should make, buy, or ally (The Fanbase Builder)
Don’t run ads: Better ways to spend a hundred euros (The Fanbase Builder)
Focus on input, not output (The Fanbase Builder)
Artists should work with creative people, instead of hiring marketing gurus (The Fanbase Builder)